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Table of Contents
January 01, 2011;
Volume 12-13
Editorial
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Editors’ Note
Akosua Adomako Ampofo
and
Stephan F. Miescher
Ghana Studies,
January 2011,
12-13
(1)
1;
DOI: https://doi.org/10.3368/gs.12-13.1.1
Articles
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Introduction
Revisiting Modernization in Ghana
Peter J. Bloom
,
Takyiwaa Manuh
and
Stephan F. Miescher
Ghana Studies,
January 2011,
12-13
(1)
3-14;
DOI: https://doi.org/10.3368/gs.12-13.1.3
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Hydro-Power and the Promise of Modernity and Development in Ghana
Comparing the Akosombo and Bui Dam Projects
Stephan F. Miescher
and
Dzodzi Tsikata
Ghana Studies,
January 2011,
12-13
(1)
15-53;
DOI: https://doi.org/10.3368/gs.12-13.1.15
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Modernity, Religion and Development in Ghana
The Example of the Ahmadiyya Muslim Community
John H. Hanson
Ghana Studies,
January 2011,
12-13
(1)
55-75;
DOI: https://doi.org/10.3368/gs.12-13.1.55
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Maternity and Modernity in the Gold Coast, 1920s–1950s
Anne Hugon
Ghana Studies,
January 2011,
12-13
(1)
77-95;
DOI: https://doi.org/10.3368/gs.12-13.1.77
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Consulting Elderly Kumasi Market Women about Modernization
Gracia Clark
Ghana Studies,
January 2011,
12-13
(1)
97-119;
DOI: https://doi.org/10.3368/gs.12-13.1.97
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Modernity and Danger
The Boy Kumasenu
and the Work of the Gold Coast Film Unit
Peter J. Bloom
and
Kate Skinner
Ghana Studies,
January 2011,
12-13
(1)
121-153;
DOI: https://doi.org/10.3368/gs.12-13.1.121
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Traditions of Modernity
Currents in Architectural Expression in Kumasi
Kevin D. Dumouchelle
Ghana Studies,
January 2011,
12-13
(1)
155-188;
DOI: https://doi.org/10.3368/gs.12-13.1.155
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Gyamfi’s Golden Soap
Commodity Marketing, Reform Legitimation, and the Performance of Cultural Authenticity in Ghana’s Popular Theatre
David Afriyie Donkor
Ghana Studies,
January 2011,
12-13
(1)
189-216;
DOI: https://doi.org/10.3368/gs.12-13.1.189
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The Funeral as a Site for Choreographing Modern Identities in Contemporary Ghana
Esi Sutherland-Addy
Ghana Studies,
January 2011,
12-13
(1)
217-248;
DOI: https://doi.org/10.3368/gs.12-13.1.217
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Misnomer: Reflections on a Dance Performance
Sheron Wray
Ghana Studies,
January 2011,
12-13
(1)
249-262;
DOI: https://doi.org/10.3368/gs.12-13.1.249
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“Still 2 Trouble(s) One God”: Art Exhibition at the Institute of African Studies, University of Ghana, Legon
Bernard Akoi-Jackson
and
R. Lane Clark
Ghana Studies,
January 2011,
12-13
(1)
263-271;
DOI: https://doi.org/10.3368/gs.12-13.1.263
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The Revisiting Modernization Short Story Competition
Yaba Badoe
Ghana Studies,
January 2011,
12-13
(1)
273-275;
DOI: https://doi.org/10.3368/gs.12-13.1.273
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Time Bomb
Tsiate Totimeh
Ghana Studies,
January 2011,
12-13
(1)
277-283;
DOI: https://doi.org/10.3368/gs.12-13.1.277
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There Are Always Two Sides to Every Story
Victoria Amma Agyeiwaah Moffatt
Ghana Studies,
January 2011,
12-13
(1)
285-292;
DOI: https://doi.org/10.3368/gs.12-13.1.285
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Dim Dim, Tim Tim
Benjamin Kent
Ghana Studies,
January 2011,
12-13
(1)
293-298;
DOI: https://doi.org/10.3368/gs.12-13.1.293
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Participants in the Revisiting Modernization Conference
Institute of African Studies, University of Ghana, 27–31 July 2009
Ghana Studies,
January 2011,
12-13
(1)
299-301;
DOI: https://doi.org/10.3368/gs.12-13.1.299
Contributors
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Notes on Contributors
Ghana Studies,
January 2011,
12-13
(1)
303-304;
DOI: https://doi.org/10.3368/gs.12-13.1.303
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Ghana Studies
Vol. 12-13
1 Jan 2011
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