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Index by author
January 01, 2017;
Volume 20
Editorial
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A Note from the New Editors
Carina Ray
and
Kofi Baku
Ghana Studies,
January 2017,
20
(1)
1-2;
DOI: https://doi.org/10.3368/gs.20.1.1
A Special Issue in Honor of John Collins
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Praxis, Perspectives, and Methods of Ghanaian Popular Music
A Special Issue in Honor of John Collins
Nate Plageman
and
Jesse Weaver Shipley
Ghana Studies,
January 2017,
20
(1)
3-12;
DOI: https://doi.org/10.3368/gs.20.1.3
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John Collins: Highlife’s Accidental Archivist
Catherine M. Cole
Ghana Studies,
January 2017,
20
(1)
13-19;
DOI: https://doi.org/10.3368/gs.20.1.13
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Building “A Home Away from Home”
Musical Spaces and Diasporic “Feedback” from London to Accra, 1950s–1980s
Alison Okuda
Ghana Studies,
January 2017,
20
(1)
20-44;
DOI: https://doi.org/10.3368/gs.20.1.20
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“Worshipping in My Head”
Everyday Devotional Practices and Disciplines of Listening among Ghanaian Christians
Florian Carl
Ghana Studies,
January 2017,
20
(1)
45-69;
DOI: https://doi.org/10.3368/gs.20.1.45
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“Kekeli Nedo!”
The Influence of the Church on Musical Practices in Ghana
Eyram Fiagbedzi
Ghana Studies,
January 2017,
20
(1)
70-92;
DOI: https://doi.org/10.3368/gs.20.1.70
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Toward a “Culturally Responsive Music Curriculum”
Harnessing the Power of Ghanaian Popular Music in Ghana’s Public Education Sector
Eric Otchere
Ghana Studies,
January 2017,
20
(1)
93-110;
DOI: https://doi.org/10.3368/gs.20.1.93
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Retuning Imperial Intentions
The Gold Coast Police Band, West African Students, and a 1947 Tour of Great Britain
Nate Plageman
Ghana Studies,
January 2017,
20
(1)
111-139;
DOI: https://doi.org/10.3368/gs.20.1.111
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From Primitivism to Pan-Africanism
Remaking Modernist Aesthetics in Postcolonial Nigeria
Jesse Weaver Shipley
Ghana Studies,
January 2017,
20
(1)
140-174;
DOI: https://doi.org/10.3368/gs.20.1.140
From the GS Vaults
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Popular Performance and Culture in Ghana
The Past 50 Years
John Collins
Ghana Studies,
January 2017,
20
(1)
175-219;
DOI: https://doi.org/10.3368/gs.20.1.175
Book Reviews
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Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana
Karl J. Haas
Ghana Studies,
January 2017,
20
(1)
221-223;
DOI: https://doi.org/10.3368/gs.20.1.221
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Highlife Saturday Night: Popular Music and Social Change in Urban Ghana
Marceline Saibou
Ghana Studies,
January 2017,
20
(1)
223-225;
DOI: https://doi.org/10.3368/gs.20.1.223
Album Review
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Granny Nanny Come Oh: Jamaican Maroon Kromanti and Kumina Music and Other Oral Traditions
Clifford C. Campbell
Ghana Studies,
January 2017,
20
(1)
227-229;
DOI: https://doi.org/10.3368/gs.20.1.227
Contributors
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Contributors
Ghana Studies,
January 2017,
20
(1)
231;
DOI: https://doi.org/10.3368/gs.20.1.231
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Ghana Studies
Vol. 20
1 Jan 2017
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