Table of Contents

A Special Issue in Honor of John Collins

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  Praxis, Perspectives, and Methods of Ghanaian Popular MusicA Special Issue in Honor of John Collins

  Nate Plageman and Jesse Weaver Shipley

  Ghana Studies, January 2017, 20 (1) 3-12; DOI: https://doi.org/10.3368/gs.20.1.3
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  John Collins: Highlife’s Accidental Archivist

  Catherine M. Cole

  Ghana Studies, January 2017, 20 (1) 13-19; DOI: https://doi.org/10.3368/gs.20.1.13
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  Building “A Home Away from Home”Musical Spaces and Diasporic “Feedback” from London to Accra, 1950s–1980s

  Alison Okuda

  Ghana Studies, January 2017, 20 (1) 20-44; DOI: https://doi.org/10.3368/gs.20.1.20
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  “Worshipping in My Head”Everyday Devotional Practices and Disciplines of Listening among Ghanaian Christians

  Florian Carl

  Ghana Studies, January 2017, 20 (1) 45-69; DOI: https://doi.org/10.3368/gs.20.1.45
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  “Kekeli Nedo!”The Influence of the Church on Musical Practices in Ghana

  Eyram Fiagbedzi

  Ghana Studies, January 2017, 20 (1) 70-92; DOI: https://doi.org/10.3368/gs.20.1.70
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  Toward a “Culturally Responsive Music Curriculum”Harnessing the Power of Ghanaian Popular Music in Ghana’s Public Education Sector

  Eric Otchere

  Ghana Studies, January 2017, 20 (1) 93-110; DOI: https://doi.org/10.3368/gs.20.1.93
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  Retuning Imperial IntentionsThe Gold Coast Police Band, West African Students, and a 1947 Tour of Great Britain

  Nate Plageman

  Ghana Studies, January 2017, 20 (1) 111-139; DOI: https://doi.org/10.3368/gs.20.1.111
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  From Primitivism to Pan-AfricanismRemaking Modernist Aesthetics in Postcolonial Nigeria

  Jesse Weaver Shipley

  Ghana Studies, January 2017, 20 (1) 140-174; DOI: https://doi.org/10.3368/gs.20.1.140