Index by author
January 01, 2017; Volume 20
B
Baku, Kofi
- You have accessRestricted accessA Note from the New EditorsCarina Ray and Kofi BakuGhana Studies, January 2017, 20 (1) 1-2; DOI: https://doi.org/10.3368/gs.20.1.1
C
Campbell, Clifford C.
- You have accessRestricted accessGranny Nanny Come Oh: Jamaican Maroon Kromanti and Kumina Music and Other Oral TraditionsClifford C. CampbellGhana Studies, January 2017, 20 (1) 227-229; DOI: https://doi.org/10.3368/gs.20.1.227
Carl, Florian
- You have accessRestricted access“Worshipping in My Head”Everyday Devotional Practices and Disciplines of Listening among Ghanaian ChristiansFlorian CarlGhana Studies, January 2017, 20 (1) 45-69; DOI: https://doi.org/10.3368/gs.20.1.45
Cole, Catherine M.
- You have accessRestricted accessJohn Collins: Highlife’s Accidental ArchivistCatherine M. ColeGhana Studies, January 2017, 20 (1) 13-19; DOI: https://doi.org/10.3368/gs.20.1.13
Collins, John
- You have accessRestricted accessPopular Performance and Culture in GhanaThe Past 50 YearsJohn CollinsGhana Studies, January 2017, 20 (1) 175-219; DOI: https://doi.org/10.3368/gs.20.1.175
F
Fiagbedzi, Eyram
- You have accessRestricted access“Kekeli Nedo!”The Influence of the Church on Musical Practices in GhanaEyram FiagbedziGhana Studies, January 2017, 20 (1) 70-92; DOI: https://doi.org/10.3368/gs.20.1.70
H
Haas, Karl J.
- You have accessRestricted accessJazz Cosmopolitanism in Accra: Five Musical Years in GhanaKarl J. HaasGhana Studies, January 2017, 20 (1) 221-223; DOI: https://doi.org/10.3368/gs.20.1.221
O
Okuda, Alison
- You have accessRestricted accessBuilding “A Home Away from Home”Musical Spaces and Diasporic “Feedback” from London to Accra, 1950s–1980sAlison OkudaGhana Studies, January 2017, 20 (1) 20-44; DOI: https://doi.org/10.3368/gs.20.1.20
Otchere, Eric
- You have accessRestricted accessToward a “Culturally Responsive Music Curriculum”Harnessing the Power of Ghanaian Popular Music in Ghana’s Public Education SectorEric OtchereGhana Studies, January 2017, 20 (1) 93-110; DOI: https://doi.org/10.3368/gs.20.1.93
P
Plageman, Nate
- You have accessRestricted accessPraxis, Perspectives, and Methods of Ghanaian Popular MusicA Special Issue in Honor of John CollinsNate Plageman and Jesse Weaver ShipleyGhana Studies, January 2017, 20 (1) 3-12; DOI: https://doi.org/10.3368/gs.20.1.3
- You have accessRestricted accessRetuning Imperial IntentionsThe Gold Coast Police Band, West African Students, and a 1947 Tour of Great BritainNate PlagemanGhana Studies, January 2017, 20 (1) 111-139; DOI: https://doi.org/10.3368/gs.20.1.111
R
Ray, Carina
- You have accessRestricted accessA Note from the New EditorsCarina Ray and Kofi BakuGhana Studies, January 2017, 20 (1) 1-2; DOI: https://doi.org/10.3368/gs.20.1.1
S
Saibou, Marceline
- You have accessRestricted accessHighlife Saturday Night: Popular Music and Social Change in Urban GhanaMarceline SaibouGhana Studies, January 2017, 20 (1) 223-225; DOI: https://doi.org/10.3368/gs.20.1.223
Shipley, Jesse Weaver
- You have accessRestricted accessPraxis, Perspectives, and Methods of Ghanaian Popular MusicA Special Issue in Honor of John CollinsNate Plageman and Jesse Weaver ShipleyGhana Studies, January 2017, 20 (1) 3-12; DOI: https://doi.org/10.3368/gs.20.1.3
- You have accessRestricted accessFrom Primitivism to Pan-AfricanismRemaking Modernist Aesthetics in Postcolonial NigeriaJesse Weaver ShipleyGhana Studies, January 2017, 20 (1) 140-174; DOI: https://doi.org/10.3368/gs.20.1.140