Index by author

January 01, 2017; Volume 20

B

  1. Baku, Kofi

    1. A Note from the New Editors
      Carina Ray and Kofi Baku
      Ghana Studies, January 2017, 20 (1) 1-2; DOI: https://doi.org/10.3368/gs.20.1.1

C

  1. Campbell, Clifford C.

    1. Granny Nanny Come Oh: Jamaican Maroon Kromanti and Kumina Music and Other Oral Traditions
      Clifford C. Campbell
      Ghana Studies, January 2017, 20 (1) 227-229; DOI: https://doi.org/10.3368/gs.20.1.227

  2. Carl, Florian

    1. “Worshipping in My Head”Everyday Devotional Practices and Disciplines of Listening among Ghanaian Christians
      Florian Carl
      Ghana Studies, January 2017, 20 (1) 45-69; DOI: https://doi.org/10.3368/gs.20.1.45

  3. Cole, Catherine M.

    1. John Collins: Highlife’s Accidental Archivist
      Catherine M. Cole
      Ghana Studies, January 2017, 20 (1) 13-19; DOI: https://doi.org/10.3368/gs.20.1.13

  4. Collins, John

    1. Popular Performance and Culture in GhanaThe Past 50 Years
      John Collins
      Ghana Studies, January 2017, 20 (1) 175-219; DOI: https://doi.org/10.3368/gs.20.1.175

F

  1. Fiagbedzi, Eyram

    1. “Kekeli Nedo!”The Influence of the Church on Musical Practices in Ghana
      Eyram Fiagbedzi
      Ghana Studies, January 2017, 20 (1) 70-92; DOI: https://doi.org/10.3368/gs.20.1.70

H

  1. Haas, Karl J.

    1. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana
      Karl J. Haas
      Ghana Studies, January 2017, 20 (1) 221-223; DOI: https://doi.org/10.3368/gs.20.1.221

O

  1. Okuda, Alison

    1. Building “A Home Away from Home”Musical Spaces and Diasporic “Feedback” from London to Accra, 1950s–1980s
      Alison Okuda
      Ghana Studies, January 2017, 20 (1) 20-44; DOI: https://doi.org/10.3368/gs.20.1.20

  2. Otchere, Eric

    1. Toward a “Culturally Responsive Music Curriculum”Harnessing the Power of Ghanaian Popular Music in Ghana’s Public Education Sector
      Eric Otchere
      Ghana Studies, January 2017, 20 (1) 93-110; DOI: https://doi.org/10.3368/gs.20.1.93

P

  1. Plageman, Nate

    1. Praxis, Perspectives, and Methods of Ghanaian Popular MusicA Special Issue in Honor of John Collins
      Nate Plageman and Jesse Weaver Shipley
      Ghana Studies, January 2017, 20 (1) 3-12; DOI: https://doi.org/10.3368/gs.20.1.3
    2. Retuning Imperial IntentionsThe Gold Coast Police Band, West African Students, and a 1947 Tour of Great Britain
      Nate Plageman
      Ghana Studies, January 2017, 20 (1) 111-139; DOI: https://doi.org/10.3368/gs.20.1.111

R

  1. Ray, Carina

    1. A Note from the New Editors
      Carina Ray and Kofi Baku
      Ghana Studies, January 2017, 20 (1) 1-2; DOI: https://doi.org/10.3368/gs.20.1.1

S

  1. Saibou, Marceline

    1. Highlife Saturday Night: Popular Music and Social Change in Urban Ghana
      Marceline Saibou
      Ghana Studies, January 2017, 20 (1) 223-225; DOI: https://doi.org/10.3368/gs.20.1.223

  2. Shipley, Jesse Weaver

    1. Praxis, Perspectives, and Methods of Ghanaian Popular MusicA Special Issue in Honor of John Collins
      Nate Plageman and Jesse Weaver Shipley
      Ghana Studies, January 2017, 20 (1) 3-12; DOI: https://doi.org/10.3368/gs.20.1.3
    2. From Primitivism to Pan-AfricanismRemaking Modernist Aesthetics in Postcolonial Nigeria
      Jesse Weaver Shipley
      Ghana Studies, January 2017, 20 (1) 140-174; DOI: https://doi.org/10.3368/gs.20.1.140
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