Table of Contents
February 15, 2023; Volume 25
Editorial
- Open AccessA Note from the EditorsJeffrey S. Ahlman and Abdul-Gafaru AbdulaiGhana Studies, February 2023, 25 (1) 1-2; DOI: https://doi.org/10.3368/gs.25.1.1Jeffrey S. AhlmanSmith CollegeAbdul-Gafaru AbdulaiUniversity of Ghana
Research Articles
- You have accessRestricted accessPerforming the Nation and Staging Ethnic Diversity in Ghanaian National-Day CelebrationsCarola LentzGhana Studies, February 2023, 25 (1) 3-32; DOI: https://doi.org/10.3368/gs.25.1.3Carola LentzUniversity of Mainz
- You have accessRestricted accessRevisiting Kwame Nkrumah’s African PersonalityThe Diaspora Context and the Making of Ghana TelevisionEmmanuella AmohGhana Studies, February 2023, 25 (1) 33-56; DOI: https://doi.org/10.3368/gs.25.1.33Emmanuella AmohPurdue University
- You have accessRestricted accessReflections on Higher Education in Ghana and Peter Ekeh’s Two PublicsDelali AmuzuGhana Studies, February 2023, 25 (1) 57-80; DOI: https://doi.org/10.3368/gs.25.1.57Delali AmuzuUniversity of Ghana
Special Issue: Looking Back, Looking Forward: Visual Art Studies in Ghana
- You have accessRestricted accessIntroductionLooking Back, Looking Forward: Visual Art Studies in GhanaRaymond SilvermanGhana Studies, February 2023, 25 (1) 81-86; DOI: https://doi.org/10.3368/gs.25.1.81Raymond SilvermanUniversity of Michigan
- You have accessRestricted accessExpanding the CanonA Brief Critique of Visual Art Studies in GhanaNii Otokunor QuarcoopomeGhana Studies, February 2023, 25 (1) 87-107; DOI: https://doi.org/10.3368/gs.25.1.87Nii Otokunor QuarcoopomeDetroit Institute of Arts
Reflections on the Past
- You have accessRestricted accessReflections on the 1970sAn Interview with Gilbert AmegatcherGilbert Amegatcher and Raymond SilvermanGhana Studies, February 2023, 25 (1) 108-116; DOI: https://doi.org/10.3368/gs.25.1.108Gilbert AmegatcherIndependent Curator and Art HistorianRaymond SilvermanUniversity of Michigan
- You have accessRestricted accessNurturing The Arts of Ghana, 1972–1977 From Seed to GardenHerbert M. ColeGhana Studies, February 2023, 25 (1) 117-126; DOI: https://doi.org/10.3368/gs.25.1.117Herbert M. ColeUniversity of California, Santa Barbara
- You have accessRestricted accessExhibiting AsanteMalcolm D. McLeodGhana Studies, February 2023, 25 (1) 127-133; DOI: https://doi.org/10.3368/gs.25.1.127Malcolm D. McLeodRoyal Society of Edinburgh
Current Research
- You have accessRestricted accessEnjoy the Dance and Look for the Flag MeaningAsafo Flag Dancers’ Choreography of Concealing and RevealingKwame Amoah LabiGhana Studies, February 2023, 25 (1) 134-143; DOI: https://doi.org/10.3368/gs.25.1.134Kwame Amoah LabiUniversity of Ghana
- You have accessRestricted accessMosque, Landmark, DocumentReimagining Islam in Ghana through the Accra FurqanMichelle ApotsosGhana Studies, February 2023, 25 (1) 144-152; DOI: https://doi.org/10.3368/gs.25.1.144Michelle ApotsosWilliams College
- You have accessRestricted accessBeloved MotherThe Significance of Ruth Botsio’s Funerary PrintChristopher RichardsGhana Studies, February 2023, 25 (1) 153-161; DOI: https://doi.org/10.3368/gs.25.1.153Christopher RichardsBrooklyn College–CUNY
- You have accessRestricted access“Life (‘Fashion’) Goes On” Revitalizing Ghana’s Grassroots Fashion System with New Digital Media TechnologiesSuzanne GottGhana Studies, February 2023, 25 (1) 162-172; DOI: https://doi.org/10.3368/gs.25.1.162Suzanne GottUniversity of British Columbia, Okanagan
- You have accessRestricted accessConfronting Nollywood’s Hegemony in GhanaA Historical Perspective of Akan Video Movies in GhanaRebecca Ohene-AsahGhana Studies, February 2023, 25 (1) 173-183; DOI: https://doi.org/10.3368/gs.25.1.173Rebecca Ohene-AsahNational Film and Television Institute (NAFTI)
- You have accessRestricted access“Dis No Be Art” Reflections on Popular Media Art Exhibitions, Value, and Class in Contemporary Urban Accra, GhanaJoseph Oduro-FrimpongGhana Studies, February 2023, 25 (1) 184-193; DOI: https://doi.org/10.3368/gs.25.1.184Joseph Oduro-FrimpongAshesi University
Contemporary Arts
- You have accessRestricted accessContemporary Art in GhanaA Conversation with kąrî’kạchä seid’oukąrî’kạchä seid’ou and Raymond SilvermanGhana Studies, February 2023, 25 (1) 194-206; DOI: https://doi.org/10.3368/gs.25.1.194kąrî’kạchä seid’ouKwame Nkrumah University of Science and TechnologyRaymond SilvermanUniversity of Michigan
- You have accessRestricted accessFrederick Ebenezer Okai Serves “Light Soup,” Both Literally and Metaphorically. Exhibition Review Light Soup on View at Old Tech-Sec, Kwame Nkrumah University of Science and Technology, Kumasi (October 13 to November 30, 2021)Bernard Akoi-JacksonGhana Studies, February 2023, 25 (1) 207-214; DOI: https://doi.org/10.3368/gs.25.1.207Bernard Akoi-JacksonKwame Nkrumah University of Science and Technology
- You have accessRestricted accessReading Al Hassan Issah’s Radicant Formalism Exhibition Review: Seduced by the Charms of a Mistake on View at Nubuke Foundation, Accra (December 18, 2021 to March 12, 2022)Kwasi Ohene-AyehGhana Studies, February 2023, 25 (1) 215-222; DOI: https://doi.org/10.3368/gs.25.1.215Kwasi Ohene-AyehKwame Nkruman University of Science and Technology
- You have accessRestricted accessCoda: Looking ForwardNew Directions for Visual Art Studies in GhanaRaymond Silverman and Allison MartinoGhana Studies, February 2023, 25 (1) 223-228; DOI: https://doi.org/10.3368/gs.25.1.223Raymond SilvermanUniversity of MichiganAllison MartinoIndiana University
Reviews
- You have accessRestricted accessAlice Wiemers, Village Work: Development and Rural Statecraft in Twentieth-Century GhanaBianca MurilloGhana Studies, February 2023, 25 (1) 229-231; DOI: https://doi.org/10.3368/gs.25.1.229Bianca MurilloCalifornia State University, Dominguez Hills
Contributors
- You have accessRestricted accessContributorsGhana Studies, February 2023, 25 (1) 232; DOI: https://doi.org/10.3368/gs.25.1.232
