Index by author

January 01, 2022; Volume 25

A

  1. Abdulai, Abdul-Gafaru

    1. Open Access
      A Note from the Editors
      Jeffrey S. Ahlman and Abdul-Gafaru Abdulai
      Ghana Studies, January 2022, 25 (1) 1-2; DOI: https://doi.org/10.3368/gs.25.1.1

  2. Ahlman, Jeffrey S.

    1. Open Access
      A Note from the Editors
      Jeffrey S. Ahlman and Abdul-Gafaru Abdulai
      Ghana Studies, January 2022, 25 (1) 1-2; DOI: https://doi.org/10.3368/gs.25.1.1

  3. Akoi-Jackson, Bernard

    1. Frederick Ebenezer Okai Serves “Light Soup,” Both Literally and Metaphorically. Exhibition ReviewLight Soup on View at Old Tech-Sec, Kwame Nkrumah University of Science and Technology, Kumasi (October 13 to November 30, 2021)
      Bernard Akoi-Jackson
      Ghana Studies, January 2022, 25 (1) 207-214; DOI: https://doi.org/10.3368/gs.25.1.207

  4. Amegatcher, Gilbert

    1. Reflections on the 1970sAn Interview with Gilbert Amegatcher
      Gilbert Amegatcher and Raymond Silverman
      Ghana Studies, January 2022, 25 (1) 108-116; DOI: https://doi.org/10.3368/gs.25.1.108

  5. Amoh, Emmanuella

    1. Revisiting Kwame Nkrumah’s African PersonalityThe Diaspora Context and the Making of Ghana Television
      Emmanuella Amoh
      Ghana Studies, January 2022, 25 (1) 33-56; DOI: https://doi.org/10.3368/gs.25.1.33

  6. Amuzu, Delali

    1. Reflections on Higher Education in Ghana and Peter Ekeh’s Two Publics
      Delali Amuzu
      Ghana Studies, January 2022, 25 (1) 57-80; DOI: https://doi.org/10.3368/gs.25.1.57

  7. Apotsos, Michelle

    1. Mosque, Landmark, DocumentReimagining Islam in Ghana through the Accra Furqan
      Michelle Apotsos
      Ghana Studies, January 2022, 25 (1) 144-152; DOI: https://doi.org/10.3368/gs.25.1.144

C

  1. Cole, Herbert M.

    1. Nurturing The Arts of Ghana, 1972–1977From Seed to Garden
      Herbert M. Cole
      Ghana Studies, January 2022, 25 (1) 117-126; DOI: https://doi.org/10.3368/gs.25.1.117

G

  1. Gott, Suzanne

    1. “Life (‘Fashion’) Goes On”Revitalizing Ghana’s Grassroots Fashion System with New Digital Media Technologies
      Suzanne Gott
      Ghana Studies, January 2022, 25 (1) 162-172; DOI: https://doi.org/10.3368/gs.25.1.162

L

  1. Labi, Kwame Amoah

    1. Enjoy the Dance and Look for the Flag MeaningAsafo Flag Dancers’ Choreography of Concealing and Revealing
      Kwame Amoah Labi
      Ghana Studies, January 2022, 25 (1) 134-143; DOI: https://doi.org/10.3368/gs.25.1.134

  2. Lentz, Carola

    1. Performing the Nation and Staging Ethnic Diversity in Ghanaian National-Day Celebrations
      Carola Lentz
      Ghana Studies, January 2022, 25 (1) 3-32; DOI: https://doi.org/10.3368/gs.25.1.3

M

  1. Martino, Allison

    1. Coda: Looking ForwardNew Directions for Visual Art Studies in Ghana
      Raymond Silverman and Allison Martino
      Ghana Studies, January 2022, 25 (1) 223-228; DOI: https://doi.org/10.3368/gs.25.1.223

  2. McLeod, Malcolm D.

    1. Exhibiting Asante
      Malcolm D. McLeod
      Ghana Studies, January 2022, 25 (1) 127-133; DOI: https://doi.org/10.3368/gs.25.1.127

  3. Murillo, Bianca

    1. Alice Wiemers, Village Work: Development and Rural Statecraft in Twentieth-Century Ghana
      Bianca Murillo
      Ghana Studies, January 2022, 25 (1) 229-231; DOI: https://doi.org/10.3368/gs.25.1.229

O

  1. Oduro-Frimpong, Joseph

    1. “Dis No Be Art”Reflections on Popular Media Art Exhibitions, Value, and Class in Contemporary Urban Accra, Ghana
      Joseph Oduro-Frimpong
      Ghana Studies, January 2022, 25 (1) 184-193; DOI: https://doi.org/10.3368/gs.25.1.184

  2. Ohene-Asah, Rebecca

    1. Confronting Nollywood’s Hegemony in GhanaA Historical Perspective of Akan Video Movies in Ghana
      Rebecca Ohene-Asah
      Ghana Studies, January 2022, 25 (1) 173-183; DOI: https://doi.org/10.3368/gs.25.1.173

  3. Ohene-Ayeh, Kwasi

    1. Reading Al Hassan Issah’s Radicant FormalismExhibition Review: Seduced by the Charms of a Mistake on View at Nubuke Foundation, Accra (December 18, 2021 to March 12, 2022)
      Kwasi Ohene-Ayeh
      Ghana Studies, January 2022, 25 (1) 215-222; DOI: https://doi.org/10.3368/gs.25.1.215

Q

  1. Quarcoopome, Nii Otokunor

    1. Expanding the CanonA Brief Critique of Visual Art Studies in Ghana
      Nii Otokunor Quarcoopome
      Ghana Studies, January 2022, 25 (1) 87-107; DOI: https://doi.org/10.3368/gs.25.1.87

R

  1. Richards, Christopher

    1. Beloved MotherThe Significance of Ruth Botsio’s Funerary Print
      Christopher Richards
      Ghana Studies, January 2022, 25 (1) 153-161; DOI: https://doi.org/10.3368/gs.25.1.153

S

  1. seid’ou, kąrî’kạchä

    1. Contemporary Art in GhanaA Conversation with kąrî’kạchä seid’ou
      kąrî’kạchä seid’ou and Raymond Silverman
      Ghana Studies, January 2022, 25 (1) 194-206; DOI: https://doi.org/10.3368/gs.25.1.194

  2. Silverman, Raymond

    1. IntroductionLooking Back, Looking Forward: Visual Art Studies in Ghana
      Raymond Silverman
      Ghana Studies, January 2022, 25 (1) 81-86; DOI: https://doi.org/10.3368/gs.25.1.81
    2. Coda: Looking ForwardNew Directions for Visual Art Studies in Ghana
      Raymond Silverman and Allison Martino
      Ghana Studies, January 2022, 25 (1) 223-228; DOI: https://doi.org/10.3368/gs.25.1.223
    3. Reflections on the 1970sAn Interview with Gilbert Amegatcher
      Gilbert Amegatcher and Raymond Silverman
      Ghana Studies, January 2022, 25 (1) 108-116; DOI: https://doi.org/10.3368/gs.25.1.108
    4. Contemporary Art in GhanaA Conversation with kąrî’kạchä seid’ou
      kąrî’kạchä seid’ou and Raymond Silverman
      Ghana Studies, January 2022, 25 (1) 194-206; DOI: https://doi.org/10.3368/gs.25.1.194
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