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Table of Contents
January 01, 2022;
Volume 25
Editorial
Open Access
A Note from the Editors
Jeffrey S. Ahlman
and
Abdul-Gafaru Abdulai
Ghana Studies,
January 2022,
25
(1)
1-2;
DOI: https://doi.org/10.3368/gs.25.1.1
Research Articles
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Restricted access
Performing the Nation and Staging Ethnic Diversity in Ghanaian National-Day Celebrations
Carola Lentz
Ghana Studies,
January 2022,
25
(1)
3-32;
DOI: https://doi.org/10.3368/gs.25.1.3
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Revisiting Kwame Nkrumah’s African Personality
The Diaspora Context and the Making of Ghana Television
Emmanuella Amoh
Ghana Studies,
January 2022,
25
(1)
33-56;
DOI: https://doi.org/10.3368/gs.25.1.33
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Reflections on Higher Education in Ghana and Peter Ekeh’s Two Publics
Delali Amuzu
Ghana Studies,
January 2022,
25
(1)
57-80;
DOI: https://doi.org/10.3368/gs.25.1.57
Special Issue: Looking Back, Looking Forward: Visual Art Studies in Ghana
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Introduction
Looking Back, Looking Forward: Visual Art Studies in Ghana
Raymond Silverman
Ghana Studies,
January 2022,
25
(1)
81-86;
DOI: https://doi.org/10.3368/gs.25.1.81
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Expanding the Canon
A Brief Critique of Visual Art Studies in Ghana
Nii Otokunor Quarcoopome
Ghana Studies,
January 2022,
25
(1)
87-107;
DOI: https://doi.org/10.3368/gs.25.1.87
Reflections on the Past
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Reflections on the 1970s
An Interview with Gilbert Amegatcher
Gilbert Amegatcher
and
Raymond Silverman
Ghana Studies,
January 2022,
25
(1)
108-116;
DOI: https://doi.org/10.3368/gs.25.1.108
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Nurturing
The Arts of Ghana
, 1972–1977
From Seed to Garden
Herbert M. Cole
Ghana Studies,
January 2022,
25
(1)
117-126;
DOI: https://doi.org/10.3368/gs.25.1.117
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Exhibiting Asante
Malcolm D. McLeod
Ghana Studies,
January 2022,
25
(1)
127-133;
DOI: https://doi.org/10.3368/gs.25.1.127
Current Research
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Enjoy the Dance and Look for the Flag Meaning
Asafo Flag Dancers’ Choreography of Concealing and Revealing
Kwame Amoah Labi
Ghana Studies,
January 2022,
25
(1)
134-143;
DOI: https://doi.org/10.3368/gs.25.1.134
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Mosque, Landmark, Document
Reimagining Islam in Ghana through the Accra Furqan
Michelle Apotsos
Ghana Studies,
January 2022,
25
(1)
144-152;
DOI: https://doi.org/10.3368/gs.25.1.144
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Beloved Mother
The Significance of Ruth Botsio’s Funerary Print
Christopher Richards
Ghana Studies,
January 2022,
25
(1)
153-161;
DOI: https://doi.org/10.3368/gs.25.1.153
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“
Life
(‘Fashion’) Goes On”
Revitalizing Ghana’s Grassroots Fashion System with New Digital Media Technologies
Suzanne Gott
Ghana Studies,
January 2022,
25
(1)
162-172;
DOI: https://doi.org/10.3368/gs.25.1.162
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Confronting Nollywood’s Hegemony in Ghana
A Historical Perspective of Akan Video Movies in Ghana
Rebecca Ohene-Asah
Ghana Studies,
January 2022,
25
(1)
173-183;
DOI: https://doi.org/10.3368/gs.25.1.173
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“
Dis No Be Art
”
Reflections on Popular Media Art Exhibitions, Value, and Class in Contemporary Urban Accra, Ghana
Joseph Oduro-Frimpong
Ghana Studies,
January 2022,
25
(1)
184-193;
DOI: https://doi.org/10.3368/gs.25.1.184
Contemporary Arts
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Contemporary Art in Ghana
A Conversation with kąrî’kạchä seid’ou
kąrî’kạchä seid’ou
and
Raymond Silverman
Ghana Studies,
January 2022,
25
(1)
194-206;
DOI: https://doi.org/10.3368/gs.25.1.194
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Frederick Ebenezer Okai Serves “Light Soup,” Both Literally and Metaphorically. Exhibition Review
Light Soup
on View at Old Tech-Sec, Kwame Nkrumah University of Science and Technology, Kumasi (October 13 to November 30, 2021)
Bernard Akoi-Jackson
Ghana Studies,
January 2022,
25
(1)
207-214;
DOI: https://doi.org/10.3368/gs.25.1.207
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Reading Al Hassan Issah’s Radicant Formalism
Exhibition Review:
Seduced by the Charms of a Mistake
on View at Nubuke Foundation, Accra (December 18, 2021 to March 12, 2022)
Kwasi Ohene-Ayeh
Ghana Studies,
January 2022,
25
(1)
215-222;
DOI: https://doi.org/10.3368/gs.25.1.215
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Coda: Looking Forward
New Directions for Visual Art Studies in Ghana
Raymond Silverman
and
Allison Martino
Ghana Studies,
January 2022,
25
(1)
223-228;
DOI: https://doi.org/10.3368/gs.25.1.223
Reviews
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Alice Wiemers,
Village Work: Development and Rural Statecraft in Twentieth-Century Ghana
Bianca Murillo
Ghana Studies,
January 2022,
25
(1)
229-231;
DOI: https://doi.org/10.3368/gs.25.1.229
Contributors
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Contributors
Ghana Studies,
January 2022,
25
(1)
232;
DOI: https://doi.org/10.3368/gs.25.1.232
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Ghana Studies
Vol. 25
1 Jan 2022
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