Ghana Studies: 25 (1)

Editorial

Open Access
A Note from the Editors
Jeffrey S. Ahlman and Abdul-Gafaru Abdulai

Ghana Studies, January 2022, 25 (1) 1-2; DOI: https://doi.org/10.3368/gs.25.1.1

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Performing the Nation and Staging Ethnic Diversity in Ghanaian National-Day Celebrations
Carola Lentz

Ghana Studies, January 2022, 25 (1) 3-32; DOI: https://doi.org/10.3368/gs.25.1.3
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Revisiting Kwame Nkrumah’s African PersonalityThe Diaspora Context and the Making of Ghana Television
Emmanuella Amoh

Ghana Studies, January 2022, 25 (1) 33-56; DOI: https://doi.org/10.3368/gs.25.1.33
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Reflections on Higher Education in Ghana and Peter Ekeh’s Two Publics
Delali Amuzu

Ghana Studies, January 2022, 25 (1) 57-80; DOI: https://doi.org/10.3368/gs.25.1.57

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IntroductionLooking Back, Looking Forward: Visual Art Studies in Ghana
Raymond Silverman

Ghana Studies, January 2022, 25 (1) 81-86; DOI: https://doi.org/10.3368/gs.25.1.81
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Expanding the CanonA Brief Critique of Visual Art Studies in Ghana
Nii Otokunor Quarcoopome

Ghana Studies, January 2022, 25 (1) 87-107; DOI: https://doi.org/10.3368/gs.25.1.87

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Reflections on the 1970sAn Interview with Gilbert Amegatcher
Gilbert Amegatcher and Raymond Silverman

Ghana Studies, January 2022, 25 (1) 108-116; DOI: https://doi.org/10.3368/gs.25.1.108
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Nurturing The Arts of Ghana, 1972–1977From Seed to Garden
Herbert M. Cole

Ghana Studies, January 2022, 25 (1) 117-126; DOI: https://doi.org/10.3368/gs.25.1.117
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Exhibiting Asante
Malcolm D. McLeod

Ghana Studies, January 2022, 25 (1) 127-133; DOI: https://doi.org/10.3368/gs.25.1.127

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Enjoy the Dance and Look for the Flag MeaningAsafo Flag Dancers’ Choreography of Concealing and Revealing
Kwame Amoah Labi

Ghana Studies, January 2022, 25 (1) 134-143; DOI: https://doi.org/10.3368/gs.25.1.134
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Mosque, Landmark, DocumentReimagining Islam in Ghana through the Accra Furqan
Michelle Apotsos

Ghana Studies, January 2022, 25 (1) 144-152; DOI: https://doi.org/10.3368/gs.25.1.144
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Beloved MotherThe Significance of Ruth Botsio’s Funerary Print
Christopher Richards

Ghana Studies, January 2022, 25 (1) 153-161; DOI: https://doi.org/10.3368/gs.25.1.153
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“Life (‘Fashion’) Goes On”Revitalizing Ghana’s Grassroots Fashion System with New Digital Media Technologies
Suzanne Gott

Ghana Studies, January 2022, 25 (1) 162-172; DOI: https://doi.org/10.3368/gs.25.1.162
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Confronting Nollywood’s Hegemony in GhanaA Historical Perspective of Akan Video Movies in Ghana
Rebecca Ohene-Asah

Ghana Studies, January 2022, 25 (1) 173-183; DOI: https://doi.org/10.3368/gs.25.1.173
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“Dis No Be Art”Reflections on Popular Media Art Exhibitions, Value, and Class in Contemporary Urban Accra, Ghana
Joseph Oduro-Frimpong

Ghana Studies, January 2022, 25 (1) 184-193; DOI: https://doi.org/10.3368/gs.25.1.184

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Contemporary Art in GhanaA Conversation with kąrî’kạchä seid’ou
kąrî’kạchä seid’ou and Raymond Silverman

Ghana Studies, January 2022, 25 (1) 194-206; DOI: https://doi.org/10.3368/gs.25.1.194
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Frederick Ebenezer Okai Serves “Light Soup,” Both Literally and Metaphorically. Exhibition ReviewLight Soup on View at Old Tech-Sec, Kwame Nkrumah University of Science and Technology, Kumasi (October 13 to November 30, 2021)
Bernard Akoi-Jackson

Ghana Studies, January 2022, 25 (1) 207-214; DOI: https://doi.org/10.3368/gs.25.1.207
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Reading Al Hassan Issah’s Radicant FormalismExhibition Review: Seduced by the Charms of a Mistake on View at Nubuke Foundation, Accra (December 18, 2021 to March 12, 2022)
Kwasi Ohene-Ayeh

Ghana Studies, January 2022, 25 (1) 215-222; DOI: https://doi.org/10.3368/gs.25.1.215
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Coda: Looking ForwardNew Directions for Visual Art Studies in Ghana
Raymond Silverman and Allison Martino

Ghana Studies, January 2022, 25 (1) 223-228; DOI: https://doi.org/10.3368/gs.25.1.223

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Alice Wiemers, Village Work: Development and Rural Statecraft in Twentieth-Century Ghana
Bianca Murillo

Ghana Studies, January 2022, 25 (1) 229-231; DOI: https://doi.org/10.3368/gs.25.1.229

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Contributors
Ghana Studies, January 2022, 25 (1) 232; DOI: https://doi.org/10.3368/gs.25.1.232