More articles from A Special Issue in Honor of John Collins
- You have accessRestricted accessBuilding “A Home Away from Home”Musical Spaces and Diasporic “Feedback” from London to Accra, 1950s–1980sAlison OkudaGhana Studies, January 2017, 20 (1) 20-44; DOI: https://doi.org/10.3368/gs.20.1.20Alison OkudaWorcester State University
- You have accessRestricted access“Worshipping in My Head”Everyday Devotional Practices and Disciplines of Listening among Ghanaian ChristiansFlorian CarlGhana Studies, January 2017, 20 (1) 45-69; DOI: https://doi.org/10.3368/gs.20.1.45Florian CarlUniversity of Cape Coast
- You have accessRestricted access“Kekeli Nedo!”The Influence of the Church on Musical Practices in GhanaEyram FiagbedziGhana Studies, January 2017, 20 (1) 70-92; DOI: https://doi.org/10.3368/gs.20.1.70Eyram FiagbedziUniversity of Cape Coast
- You have accessRestricted accessToward a “Culturally Responsive Music Curriculum”Harnessing the Power of Ghanaian Popular Music in Ghana’s Public Education SectorEric OtchereGhana Studies, January 2017, 20 (1) 93-110; DOI: https://doi.org/10.3368/gs.20.1.93Eric OtchereRhodes University
- You have accessRestricted accessRetuning Imperial IntentionsThe Gold Coast Police Band, West African Students, and a 1947 Tour of Great BritainNate PlagemanGhana Studies, January 2017, 20 (1) 111-139; DOI: https://doi.org/10.3368/gs.20.1.111Nate PlagemanWake Forest University
- You have accessRestricted accessFrom Primitivism to Pan-AfricanismRemaking Modernist Aesthetics in Postcolonial NigeriaJesse Weaver ShipleyGhana Studies, January 2017, 20 (1) 140-174; DOI: https://doi.org/10.3368/gs.20.1.140Jesse Weaver ShipleyDartmouth College
- You have accessRestricted accessPraxis, Perspectives, and Methods of Ghanaian Popular MusicA Special Issue in Honor of John CollinsNate Plageman and Jesse Weaver ShipleyGhana Studies, January 2017, 20 (1) 3-12; DOI: https://doi.org/10.3368/gs.20.1.3Nate PlagemanWake Forest UniversityJesse Weaver ShipleyDartmouth College
- You have accessRestricted accessJohn Collins: Highlife’s Accidental ArchivistCatherine M. ColeGhana Studies, January 2017, 20 (1) 13-19; DOI: https://doi.org/10.3368/gs.20.1.13Catherine M. ColeUniversity of Washington