More articles from Current Research

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Beloved MotherThe Significance of Ruth Botsio’s Funerary Print
Christopher Richards

Ghana Studies, January 2022, 25 (1) 153-161; DOI: https://doi.org/10.3368/gs.25.1.153
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Mosque, Landmark, DocumentReimagining Islam in Ghana through the Accra Furqan
Michelle Apotsos

Ghana Studies, January 2022, 25 (1) 144-152; DOI: https://doi.org/10.3368/gs.25.1.144
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“Life (‘Fashion’) Goes On”Revitalizing Ghana’s Grassroots Fashion System with New Digital Media Technologies
Suzanne Gott

Ghana Studies, January 2022, 25 (1) 162-172; DOI: https://doi.org/10.3368/gs.25.1.162
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“Dis No Be Art”Reflections on Popular Media Art Exhibitions, Value, and Class in Contemporary Urban Accra, Ghana
Joseph Oduro-Frimpong

Ghana Studies, January 2022, 25 (1) 184-193; DOI: https://doi.org/10.3368/gs.25.1.184
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Enjoy the Dance and Look for the Flag MeaningAsafo Flag Dancers’ Choreography of Concealing and Revealing
Kwame Amoah Labi

Ghana Studies, January 2022, 25 (1) 134-143; DOI: https://doi.org/10.3368/gs.25.1.134
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Confronting Nollywood’s Hegemony in GhanaA Historical Perspective of Akan Video Movies in Ghana
Rebecca Ohene-Asah

Ghana Studies, January 2022, 25 (1) 173-183; DOI: https://doi.org/10.3368/gs.25.1.173

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