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Domestic Animal Metaphor in AkanRepresenting Human Behaviour in Nana Ampadu’s Song Obiara Ne Ne Suban
Adwoa Arhine, Benjamin Amakye-Boateng, Kofi Agyekum and Joshua A. Amuah

Ghana Studies, June 2024, 26 (1) 145-170; DOI: https://doi.org/10.3368/gs.26.1.145
Adwoa Arhine
University of Ghana
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Benjamin Amakye-Boateng
University of Ghana
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Kofi Agyekum
University of Ghana
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Joshua A. Amuah
University of Ghana
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Gender and the Silences in the Tabon NarrativeIlluminations from “Brazil houses”
Cyrelene Amoah-Boampong

Ghana Studies, June 2024, 26 (1) 78-98; DOI: https://doi.org/10.3368/gs.26.1.78
Cyrelene Amoah-Boampong
University of Ghana
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Chiefs and the Expansion of Education in Colonial Asante, 1940–1950
Manuel J. Manu-Osafo

Ghana Studies, June 2024, 26 (1) 31-59; DOI: https://doi.org/10.3368/gs.26.1.31
Manuel J. Manu-Osafo
University of Ghana
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Frederick Ebenezer Okai Serves “Light Soup,” Both Literally and Metaphorically. Exhibition Review Light Soup on View at Old Tech-Sec, Kwame Nkrumah University of Science and Technology, Kumasi (October 13 to November 30, 2021)
Bernard Akoi-Jackson

Ghana Studies, February 2023, 25 (1) 207-214; DOI: https://doi.org/10.3368/gs.25.1.207
Bernard Akoi-Jackson
Kwame Nkrumah University of Science and Technology
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Nurturing The Arts of Ghana, 1972–1977 From Seed to Garden
Herbert M. Cole

Ghana Studies, February 2023, 25 (1) 117-126; DOI: https://doi.org/10.3368/gs.25.1.117
Herbert M. Cole
University of California, Santa Barbara
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Contemporary Art in GhanaA Conversation with kąrî’kạchä seid’ou
kąrî’kạchä seid’ou and Raymond Silverman

Ghana Studies, February 2023, 25 (1) 194-206; DOI: https://doi.org/10.3368/gs.25.1.194
kąrî’kạchä seid’ou
Kwame Nkrumah University of Science and Technology
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Raymond Silverman
University of Michigan
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IntroductionLooking Back, Looking Forward: Visual Art Studies in Ghana
Raymond Silverman

Ghana Studies, February 2023, 25 (1) 81-86; DOI: https://doi.org/10.3368/gs.25.1.81
Raymond Silverman
University of Michigan
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Expanding the CanonA Brief Critique of Visual Art Studies in Ghana
Nii Otokunor Quarcoopome

Ghana Studies, February 2023, 25 (1) 87-107; DOI: https://doi.org/10.3368/gs.25.1.87
Nii Otokunor Quarcoopome
Detroit Institute of Arts
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Reading Al Hassan Issah’s Radicant Formalism Exhibition Review: Seduced by the Charms of a Mistake on View at Nubuke Foundation, Accra (December 18, 2021 to March 12, 2022)
Kwasi Ohene-Ayeh

Ghana Studies, February 2023, 25 (1) 215-222; DOI: https://doi.org/10.3368/gs.25.1.215
Kwasi Ohene-Ayeh
Kwame Nkruman University of Science and Technology
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Contributors
Ghana Studies, February 2023, 25 (1) 232; DOI: https://doi.org/10.3368/gs.25.1.232

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