<?xml version='1.0' encoding='UTF-8'?><xml><records><record><source-app name="HighWire" version="7.x">Drupal-HighWire</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Adjepong, Anima</style></author></authors><secondary-authors></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Coloniality and the Fight for Queer Freedom in Ghana, &lt;em&gt;Our Sister Killjoy&lt;/em&gt; as Guide</style></title><secondary-title><style face="normal" font="default" size="100%">Ghana Studies</style></secondary-title></titles><dates><year><style  face="normal" font="default" size="100%">2024</style></year><pub-dates><date><style  face="normal" font="default" size="100%">2024-11-01 00:00:00</style></date></pub-dates></dates><pages><style  face="normal" font="default" size="100%">147-153</style></pages><doi><style  face="normal" font="default" size="100%">10.3368/gs.27.1.147</style></doi><volume><style face="normal" font="default" size="100%">27</style></volume><issue><style face="normal" font="default" size="100%">1</style></issue><abstract><style  face="normal" font="default" size="100%">In this brief essay, I return to Ama Ata Aidoo’s (1977) Our Sister Killjoy as an opportunity to reflect on how coloniality structures anti-LGBTQ legislation, cultural opposition, and advocacy for queer rights in Ghana. Reflections from Sissie, the novel’s protagonist, offers a guide for queer organizers, activists, community groups, and allies to divest from Western models of freedom and rights attainment.</style></abstract></record></records></xml>