Asante
- You have accessRestricted accessExhibiting AsanteMalcolm D. McLeodGhana Studies, February 2023, 25 (1) 127-133; DOI: https://doi.org/10.3368/gs.25.1.127Malcolm D. McLeodRoyal Society of Edinburgh
- You have accessRestricted accessIconography, Documentary Evidence, Continuity, and Akan Musical Expressions Before the 15th CenturyKwasi AmpeneGhana Studies, January 2019, 22 (1) 191-205; DOI: https://doi.org/10.3368/gs.22.1.191Kwasi AmpeneKwasi Ampene () is associate professor of Music at the University of Michigan. As an ethnomusicologist, Ampene specializes in the rich musical traditions of the Akan people of West Africa. His research interests include the intersections between lived experience, music, and social values; the performance of historical and social memory, and politics. He is the current chair of the African Music Section in the Society for Ethnomusicology (SEM). He has also provided expert advice for public engagement projects on Asante and Akan culture and music to institutions such as the British Library, Tufts University, and Princeton University. Professor Ampene is the author and coauthor of journal articles and books, including Engaging Modernity: Asante in the Twenty-First Century (Michigan Publishing, 2016); Discourses in African Musicology: J. H. Kwabena Nketia Festschrift (Michigan Publishing, 2015); and Female Song Tradition and the Akan of Ghana: The Creative Process in Nnwonkorɔ (Ashgate, 2005). Ampene is the director and producer of a documentary film, Gone to the Village: Royal Funerary Rites for Asantehemaa Nana Afia Kobi Serwaa Ampem II. Ampene’s book manuscript, Asante Court Music and Verbal Arts in Ghana: The Porcupine and the Gold Stool, is currently under contract with Routledge.
- You have accessRestricted access“Kill Rats and Stop Plague”Race, Space, and Public Health in Postconquest KumasiBenjamin TaltonGhana Studies, January 2019, 22 (1) 95-113; DOI: https://doi.org/10.3368/gs.22.1.95Benjamin TaltonBenjamin Talton () is a professor of African history at Temple University, where his research, writing, and teaching focus on politics and culture in modern Africa and the African Diaspora. His publications include Politics of Social Change in Ghana: The Konkomba Struggle for Political Equality (Palgrave, 2010); Black Subjects in Africa and Its Diasporas: Race and Gender in Research and Writing, edited with Quincy T. Mills of Vassar College (Palgrave Macmillan, 2010), and, most recently, In This Land of Plenty: Mickey Leland and Africa in American Politics (University of Pennsylvania Press, 2019). He is currently an editor of African Studies Review and serves on the executive board of the Association for the Study of the Worldwide African Diaspora (ASWAD) and is a past president of the GSA.
- You have accessRestricted access@60Jean AllmanGhana Studies, January 2018, 21 (1) 63-68; DOI: https://doi.org/10.3368/gs.21.1.63Jean AllmanJean Allman (), Washington University in St. Louis