Ghana
- You have accessRestricted accessAre Elephants Beautiful?The Historical Sources of a Hybrid Environmental Aesthetics at Mole National Park, GhanaJonathan RobertsGhana Studies, June 2024, 26 (1) 123-144; DOI: https://doi.org/10.3368/gs.26.1.123Jonathan RobertsMount Saint Vincent University
- You have accessRestricted accessReflections on the 1970sAn Interview with Gilbert AmegatcherGilbert Amegatcher and Raymond SilvermanGhana Studies, February 2023, 25 (1) 108-116; DOI: https://doi.org/10.3368/gs.25.1.108Gilbert AmegatcherIndependent Curator and Art HistorianRaymond SilvermanUniversity of Michigan
- You have accessRestricted accessNurturing The Arts of Ghana, 1972–1977 From Seed to GardenHerbert M. ColeGhana Studies, February 2023, 25 (1) 117-126; DOI: https://doi.org/10.3368/gs.25.1.117Herbert M. ColeUniversity of California, Santa Barbara
- You have accessRestricted accessMosque, Landmark, DocumentReimagining Islam in Ghana through the Accra FurqanMichelle ApotsosGhana Studies, February 2023, 25 (1) 144-152; DOI: https://doi.org/10.3368/gs.25.1.144Michelle ApotsosWilliams College
- You have accessRestricted accessBeloved MotherThe Significance of Ruth Botsio’s Funerary PrintChristopher RichardsGhana Studies, February 2023, 25 (1) 153-161; DOI: https://doi.org/10.3368/gs.25.1.153Christopher RichardsBrooklyn College–CUNY
- You have accessRestricted accessContemporary Art in GhanaA Conversation with kąrî’kạchä seid’oukąrî’kạchä seid’ou and Raymond SilvermanGhana Studies, February 2023, 25 (1) 194-206; DOI: https://doi.org/10.3368/gs.25.1.194kąrî’kạchä seid’ouKwame Nkrumah University of Science and TechnologyRaymond SilvermanUniversity of Michigan
- You have accessRestricted accessPerforming the Nation and Staging Ethnic Diversity in Ghanaian National-Day CelebrationsCarola LentzGhana Studies, February 2023, 25 (1) 3-32; DOI: https://doi.org/10.3368/gs.25.1.3Carola LentzUniversity of Mainz
- You have accessRestricted accessAlhaji Yusuf Soalihu Ajura (Afa Ajura)Reflections on Continued Islamic Renewal in Ghana, 1890–2010Alhaji Abdulai IddrisuGhana Studies, January 2022, 24 (1) 42-68; DOI: https://doi.org/10.3368/gs.24.1.42Alhaji Abdulai IddrisuSt. Olaf College
- You have accessRestricted access“Return of the Elephant from the Bush”The NPP, Organizational Strength, and Electoral Success in Ghana’s 2016 ElectionIsaac Owusu NsiahGhana Studies, January 2020, 23 (1) 81-107; DOI: https://doi.org/10.3368/gs.23.1.81Isaac Owusu NsiahIsaac Owusu Nsiah () is a PhD candidate at the Institute of African Studies, University of Ghana. He received his master’s degree at the African Studies Centre at Oxford University. His research interests include African politics, citizenship studies, elections, and party politics. As a burgeoning Africanist scholar, he has published in the Journal of Asian and African Studies and the Journal of African Elections.
- You have accessRestricted accessIconography, Documentary Evidence, Continuity, and Akan Musical Expressions Before the 15th CenturyKwasi AmpeneGhana Studies, January 2019, 22 (1) 191-205; DOI: https://doi.org/10.3368/gs.22.1.191Kwasi AmpeneKwasi Ampene () is associate professor of Music at the University of Michigan. As an ethnomusicologist, Ampene specializes in the rich musical traditions of the Akan people of West Africa. His research interests include the intersections between lived experience, music, and social values; the performance of historical and social memory, and politics. He is the current chair of the African Music Section in the Society for Ethnomusicology (SEM). He has also provided expert advice for public engagement projects on Asante and Akan culture and music to institutions such as the British Library, Tufts University, and Princeton University. Professor Ampene is the author and coauthor of journal articles and books, including Engaging Modernity: Asante in the Twenty-First Century (Michigan Publishing, 2016); Discourses in African Musicology: J. H. Kwabena Nketia Festschrift (Michigan Publishing, 2015); and Female Song Tradition and the Akan of Ghana: The Creative Process in Nnwonkorɔ (Ashgate, 2005). Ampene is the director and producer of a documentary film, Gone to the Village: Royal Funerary Rites for Asantehemaa Nana Afia Kobi Serwaa Ampem II. Ampene’s book manuscript, Asante Court Music and Verbal Arts in Ghana: The Porcupine and the Gold Stool, is currently under contract with Routledge.